Juan Manuel EchavarriaEchavarría Juan Manuel

 

Biografía

Nació en Medellín, Colombia en el año 1947.
Vive y trabaja en Bogotá, Colombia
Escritor antes de ser artista.

EXPOSICIONES INDIVIDUALES

2015 Universitée de Louvain, Louvain-la-Neuve,  Belgium, Silencios

Musée d’Aquitaine , Bordeaux, France, Silencios, La Guerra que no hemos visto, Tapices de Mampujan

Universidad Externado de Colombia, Bogota, Colombia, Desenterrar y hablar: una etnografía

estética de la guerra en Colombia, Requiem NN, La Guerra que no hemos visto, Silencios,

Testigo Invisible, Darwin, Una Lección  (videos)

2014 Josée Bienvenu Gallery,  New York, NY, Silencios (Silencios small, Testigos, El Sepulturero y su

llamada perdida, La Lección)

Sala de Exposiciónes ASAB,  Bogotá, Colombia, Actos de Visibilidad, El Sepulturero y su llamada

perdida (The Gravedigger and the missed call)

2013 Fundação Joaquim Nabuco,  Recife, Brazil, Bocas de Ceniza, Guerra y Pa, La Bandeja de Bolivar:

1999

2012 Universidad de los Andes , Bogotá, Colombia, La “O”

Museo de Arte Carrillo Gil,  Mexico D.F., Mexico, Videos: 1999-2004: Bocas de Ceniza,

Bandeja de Bolivar, Guerra y Pa’

2011 Museo La Tertulia , Cali, Colombia, Requiem NN  2006-2011

Josée Bienvenu Gallery , New York, NY, La “O”

Museo de Arte Moderno de Barranquilla,  Barranquilla, Colombia, Requiem NN and Bocas de Ceniza

Galeria Sextante,  Bogotá, Colombia, La “O”

2010 Ciudadela Educativa y Cultural América , Puerto Berrío, Antioquia, Colombia, Requiem NN

2009 Galería Sextante , Bogotá, Colombia, Requiem NN

2008 FOTOLOGíA 6, Festival Internacional de Fotografía de Bogotá, Galería Sextante , Bogotá,

Colombia, Desolado

Galería Sextante , Bogotá, Colombia, Monumentos

Josée Bienvenu Gallery , New York, NY, Death and the River

2007 Santa Fe Art Institute , Santa Fe, NM, Mouths of Ash

Malmö Konsthall,  Sweden, Public Manifestations of Creative Dissent

2006 Weatherspoon Art Museum , Greensboro, NC, Juan Manuel Echavarría: Mouths of Ash

Josée Bienvenu Gallery , New York, NY, The Witness

2005 North Dakota Museum of Art , Grand Forks, ND, Mouths of Ash

2004 Universidad de Los Andes - Centro Cultural y Deportes , Bogotá, Colombia, Guerra y Pa y Otras

Series

2003 Erich Maria Remarque Peace Center , Osnabrück, Germany, Guerra y Pa

Museo de Arte Moderno La Tertulia , Cali, Colombia, La Maria y Otras Series

2001 Ministerio de Education y Cultura , Montevideo, Uruguay, Bandeja de Bolivar

2000 Museo de Arte Moderno , Buenos Aires, Argentina, Bocas de Ceniza

Up & Co , New York, NY, Bandeja de Bolívar

1999 Emison Art Center and Gallery,  DePauw University, Greencastle,  IN, Corte de Florero

Up & Co , New York, NY, Escuela Nueva

1998 B & B International Gallery , New York, NY, Corte de Florero / Flower Vase Cut



EXPOSICIONES COLECTIVAS


201Daros Latinamerica, Fundacion PROA, Buenos Aires, Argentina, Bocas de Ceniza

Galeria OMR Ciudad de Mexico, México D.F., La Vorágine: TestigoInvisible, Darwin,Una Lección

Kunstmuseum Wolfsburg, Germany,Dark Mirror Artfrom Latin America since 1968Guerra y Pa

Inter Mediaciones, Medellín, Colombia, El sepultureroy sullamada perdida

Museo Casa de la Memoria, Medellín, Colombia, Exposición Paz Creer para ver! Guerra y Pa

201Universidad de Los Andes, Bogotá, Colombia, El Acto de Testimoniar, Silencios, Silencio con chicharras, Una Lección and Darwin.

Centro de Memoria, Paz y Reconciliación, Bogota, Colombia, Donde Estánlos Desaparecidos?

Requiem NN and Novenario en Espera

Museo de Antioquia, Colombia, Contraexpediciones.s allá de los mapas: Corte de Florero (12) Estudios las Nieves, ArtNexus Space, Bogotá, Colombia, Realities in Conflict: Requiem NN, Bandeja de Bovar

Museo de Antioquia, Colombia, ¡Mandinga sea! África en Antioquia: Bocas de Ceniza and

Silencios

Museo Casa de la Memoria de Medellìn, Colombia, Pazy Reconciliacion: La María, Silencios, NN, La bandeja de Bovar, Réquiem NN, Bocas de ceniza, Corte de florero, Novenario en Espera, Guerra Y Pa’.

Museo de Antioquia, Medellín, Colombia, 43 Salon(inter)Nacional de Artistas: Silencios testigos

and Testigo invisible

First BIACI, Bienal Internacional de Arte Contemporáneo de Cartagena, Colombia, El Sepulturero y su llamada perdida (The Gravedigger and the missed call)

Museo de Antioquia, Medellín, Colombia, Antioquias, DiversidadeImaginarios deIdentidad:

Novenarios en Espera

Lelong Gallery, New York, NY, Re-framing History, Bocas de Ceniza

12th Annual Bienal de Cuenca, Cuenca, Ecuador, Ir para Volver (Leaving to Return), La Guerra

Que No Hemos Visto, un proyecto de memoria historica.

Museo Amparo, Puebla, Mexico, America Latina 1960 2013, Jeroglifico, Silencio habitado, and Bocas de Ceniza(phase 2 from Fondation Cartier Paris, France)

2013   Galeria Metropolitana,Universidad Autónoma MetropolitanaDistrito Federal, Mexico,TUMBA. La domus del ausente: RequiemNN(90), The Gravedigger andthe missed call, Novenario, Corte de Floreros(16), NADA, Requiem NN (the film)

Casa Daros, Rio deJaneiro, Brazil, Cantos Cuentos Colombianos, Bocas de Ceniza, Bandeja de Bolivar, Guerra y Pa’, Corte de Florero

El Centro Nacional de las Artes, Distrito Federal, Mexico, Cosmovideorafias: Bandeja de Bolivar, Bocas de Ceniza, Guerra y Pa

Musée du Quai Branly, Paris, France, Nocturnes de Colombie part of 2013 edition ofthe Biennale Photoquai: Corte de Florero, Silencios, Testigos, Guerra y Pa

Museo de Antioquia, Medellín, Colombia, El Barro tiene voz: Bandeja de Bolivar:1999

Fondation Cartier, Paris France, Amerique Latine: Silencio Si Te Gusta and Jerolifico, Bocas de Ceniza

43 Salón (inter) Nacional de Artistas, Medellin, Colombia, SaberDesconocer: Silenciotermita,

Silencio 2010, Silencio con despertador, Silencio con chancho

Centro de Bellas Artes, Caracas, Venezuela, Bocas de Ceniza

Kunsthalle Bahnitz, Bahnitz, Germany, Arte y migración, Bocas de Ceniza

Lamont Gallery, Phillips Exeter Academy, Exeter, New Hampshire, On & Off the Page: Bocas de Ceniza, Cien Mil Millones and Silencio Lin

Abandoned office building, Budapest, Hungary, No Show, Bocas de Ceniza

Kunstmuseum Bochum, Bochum, Germany, Aliento: Paintingsfrom La Guerra Que No Hemos Visto and Guerra y Pa.

Musée Contemporain du Val-de-Marne, France. The MAC/VAL presents Renaud Auguste

Dormeuil’s new exhibitionINCLUDE ME OUT: Bocas de Ceniza

2012    18th Biennale of Sydney, Sydney, Australia, All Our Relations: Requiem NN and La “O

El Museo del Barrio, Queens Museum of Art and The Studio Museum in Harlem,Caribbean: Crossroads ofthe World: Corte de Florero

Württembergischer Kunstverein, Stuttgart, Germany, and Para/Site in Hong Kong, and Total Museum, Seoul, South Korea, Acts of Voicing: Guerra y Pa and Bocas de Ceniza

Phoenix Art Museum, Phoenix, Arizona, The Politics of Place: Latin American Photography, Past and Present: Bandeja de Bolivar (print), Requiem NN (16)

North Dakota Museum of Art, Grand Forks, North Dakota, People’s Gold: Corte de Florero

International Studio & Curatorial program, Brooklyn, NY, Secondary Witness: Bocas de Ceniza Conmemoracion del Desplazamiento Forzado, Pueblo Viejo de Mampuján: La “O”, Lo Bonito Es Estar Vivo, El Testigo Mudo della massacre de Las Brisas

Los del Patio, Casco Viejo, Panamá, Gesto y Mirada, Guerra y Pa and Bocas de Ceinza

Galerie Rudolfinum, Prague, Czech Republic, Faces: The Phenomemon of Face in Videoart: Bocas de Ceniza

2011    Centre for Contemporary Culture Strozzina, Florence,Itlay, Declining Democracy, Bocas de Ceniza

Bienal Do Mercosul, Porto Alegre, Brazil, Ensaios Geopoética, Bocas de Ceniza

Le Mois de la Photo à Montréal, Montreal, Canada, Requiems (Bocas de Ceniza and Requiem NN)

MOLAA, Museum Of Latin American Art, Long Beach, CA, Unresolved Circumstances: Video Art from Latin America, Bandeja de Bovar

Sammlung Goetz at Haus der Kunst, Munich, Germany, Aschemünder, Bocas de Ceniza

Center for Contemporary Art, Tel Aviv,Israel. Prolonged Exposure, Bocas de Ceniza

Kumu Art Museum, Tallinn, Stonia, 15th Tallinn Print Triennial “For Love Not Money”, Requiem NN

2010      Museo de Antioquia, Medellín, Colombia, La Guerra que no hemos visto

Maison de LAmerique Latinne, Paris, Fragments latino-américains

Galería de la Raza, San Francisco, CA, Galería 4.0, A Retrospective (Bocas de Ceniza)

ZKM, Museum of Contemporary Art, Karlsruhe, Germany,fast forward 2: The Power of Motion, Media Art Sammlung Goetz

Josée Bienvenu Gallery, New York, NY, Optimismo Radical

Museum of Latin American Art, Long Beach, CA, Changing the Focus: Latin American

Photography 1990– 2005

CRG Gallery, New York, NY, Language of Flowers

2009     Artlink, Buncrana,Ireland, Colombia contemporánea. Art from a Contemporary Colombian Perspective

University of Texas at El Paso, Stanlee and Gerald Rubin Center for the Visual Arts, El Paso, TX,

US, The Disappeared

University of Wyoming Art Museum, Laramie, WY, US, The Disappeared Hungarian Cultural Center, New York,t.error: your fear is an external object North Dakota Museum of Art, Grand Forks, ND, US, Artists and War II

2008      Art Museum of the Americas, OAS, Washington, D.C., US, The Disappeared

The University of Hertfordshire Margaret Harvey Gallery, St. Albans, UK, Once more, with feeling: Recent photography from Colombia

Mediations Biennale, Poznan, Poland, Corporeal/Technoreal

Galeria Nara Roesler,o Paulo, Brazil, Otras Floras

Museo de Antioquia, Medellín, Colombia, Destierro y Reparación

Edith Russ Site for Media Art, Oldenburg, Germany, nach/sichten(After Sight): video works from the Goetz Collection

Museo de Arte Moderno, Bogotá, Colombia, Los Desaparecidos

Tabalakera, San Sebastian, Spain, NO ES NEUTRAL; Daros Latin America Collection

Centro José Guerrero-Diputación de Granada, Spain, Lugares comunes. La experiencia colectiva en el vídeo latinoamericano

Centro de Formación de la Cooperación España, La Antiqua, Guatemala, Los Desaparecidos CAAM - Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, Viva la muerte: Art and Death in Latin America

The Photographer’s Gallery, London, UK, Once more, with feeling: Recent photography from

Colombia

Station Museum of Contemporary Art, Houston, TX, Apetura Colombia

Central Cultural Matacuna 100, Santiago, Chile, Los Desaparecidos

MALBA / Museo de Arte Latinamericano de Buenos Aires, Argentina, Autopsia de lo invisible/

Autopsy of the Invisible

University Gallery, The University of Essex, UK, Once more, with feeling: Recent photography from Colombia

Espacio Arte Actual (FLASCO), Quito, Ecuador, Lo que las imágenes quieren. Video desde

Hispanoamérica

2007      Impressions Gallery, Bradford, UK, Once more, with feeling: Recent photography from Colombia

Vejle Museum, Vejle, Denmark, Machine-RAUM: Biennale for Video Art and Digital Culture CCE / Centro Cultural de España, Montevideo, Uruguay, Arte, deshnora y violencia en el contexto iberoamericano

Kunsthalle, Vienna, Austria, Viva la muerte: Art and Death in Latin America

SITE Santa Fe, Santa Fe, NM, The Disappeared

Nettie Horn, London, UK, We like it a lot

Sainsbury Centre for Visual Arts / Contemporary Art Norwich 2007, Norwich, UK, AfterShock: Conflict, Violence and Resolution in Contemporary Art

Santa Fe Art Institute, Santa Fe, NM, Comfort Zone

Museum of Contemporary Art, Sydney, Australia, The Hours: Visual Art of Contemporary Latin America

Museum Bochum, Bochum, Germany, Puntos de Vista, Contemporary Art from the Daros Latin

America Collection

Espacio C de Arte Contemporaneo, Camargo, Santander, Spain, Secuencias Latinoamericanas: Interrupciones

Fundacion ICO, Madrid, Spain, Rio Revuelto - Bocas de Ceniza

Museo de Antioquia, Medellín, Colombia. Encuentros de la Hospitalidad

Museo de Arte Contemporánea, Vigo, Spain. Documentos: La Memoria del futuro

Valencia Bienal, Valencia, Spain.I Encuentro entre dos mares

Casino Luxembourg / Forum dart contemporain, Luxembourg, Belgium, Loeil-ecrain ou la nouvelle image

El Museo del Barrio, New York, NY, The Disappeared

Koldo Mitxelena Kulturunea, San Sebastian, Spain, Documentos: La Memoria del futuro,

2006      Museo Nacional de Artes Visuales, Montevideo, Uruguay. Los Desaparecidos

Arts Center Beursschouwburg, Brussels, Belgium, Beeldende Kunst / Video Installaties SMAK / Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, Mankind, Story of a Wound New Langton Arts, San Francisco, CA, Nothing Stands Still

El Centro Cultural Recoleta, Buenos Aires, Argentina, Los Desaparecidos

Santa Fe Art Institute, Santa Fe, NM, Storytelling: History, Myth and Narrative

Ivan Dougherty Gallery, The University of New South Wales, Paddington, Australia, Home Ground andin Kabul, Afganistan, Juan Manuel Echavarria’s: Bocas de Ceniza

Centre Régional dArt Contemporain,te, France, Touche L’indecible

The Morris and Helen Belkin Art Gallery, Vancouver, Canada, Certain Encounters: Daros Latin America Collection

Limerick City Gallery of Art, Limerick,Ireland, EVA Giveaway

Kiasma Museum of Contemporary Art, Helsinki, Finland, ARS 06 Sense of the Real

Fotofest, Houston, TX, Mouths of Ash

2005      Centre Régional dArt Contemporain,te, France, Voix Off

Irish Museum of Modern Art, Dublin,Ireland, The Hours: Visual Arts of Contemporary Latin America

Venice Biennale, Latin American Pavilion, Italy, La Trama e l’Ordito

Galería de la Raza, San Francisco, CA, Weedee Peepo

North Dakota Museum of Art, Grand Forks, ND, The Disappeared

Contemporary Art Center, Bretigny, France, Between the Furniture and the Building (Between a Rock and a Hard Place)

Museo de Arte Moderno La Tertulia, Cali, Colombia, Contra el Olvido / Against Oblivion,in conjunction with: SimposioInternacional deJusticia Restaurativay Paz en Colombia

Daros Latin America, Zurich, Switzerland Cantos cuentos colombianos, Part II

2004      Daros Latin America, Zurich, Switzerland Cantos cuentos colombianos, Part I Andrea Rosen Gallery, New York, NY,Instinctive: Latin American Artists Selected by Mario Testino

2003      Reynolds Gallery, University of the Pacific, Stockton, CA, Viology: Cultures o Violence / Violence of Culture

Museo de Antioquia, Medellín, Colombia, Fotofiest

Biblioteca Luis Angel Arango, Bogotá, Colombia, Still Life / Naturaleza Muerta

2002      Galeria de La Raza, San Francisco, CA, Viology: Cultures of Violence / Violence of Culture

2001      MALBA / Museo de Arte Latinamericano de Buenos Aires, Buenos Aires, Argentina, Poticas de la Diferencia: Arteiberoamericanofin de siglo

Centro de Convenciones de Pernambuco, Recife, Brazil, Poticas de la Diferencia: Arte

iberoamericano fin de siglo

2000      Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain,B & N y de Color-Latinoamérica: Cine, Video y Multimedia

Kwangju Biennale 2000, Kwangju, Korea, Man and Space

Sala de la Moneda, Seville, Spain, Historia Cosmopolita Funcion Real

1999      Museo de Arte Moderno, Bogota, Colombia, Arte y Violencia,

International Print Triennial, Fredrikstad, Norway

1998      Rundetårn, Copenhagen, Denmark, Five Contemporary Colombian Photographers

 

FILMOGRAPHY

2015 6th Festival Internacional de Cine y formacion en derechos humanos de las personas migrantes ,

September 17 to 23rd , 2015, Buenos Aires, Argentina

2014 Requiem NN

Teleantioquia , Medellín, Colombia (November 2014)

Bienal Lationoamericana de Infancias y Juventudes . Manizales, Colombia (November 2014)

Cine Latino, Documental Réquiem NN,  Conoco Phillips Houston Complex, Houston, Texas

(September 30th, 2014)

Festival de Cine Beeld Voor Beeld , Universidad Central, Bogotá, Colombia

Ambulante, Festival Documental, Bogotá, Colombia

Cinema Ciudad Del Río Museo de arte Moderno, Medellin, Colombia (May 2014)

Contraexpediciones. Más allá de los mapas,  Museo de Antioquia, Medellin, Colombia (May

2014)

Centro Cultural Facultad de Artes Universidad de Antioquia , Medellin, Colombia

Les Rencontres Internationales , at Gaîté Lyrique and Palais de Tokyo, Paris, France (2 Mars 2014 at 6pm)

Colombian Film Festival 2014,  Tribeca Cinemas, New York, NY (Friday March 28th  at 7:45pm)

Cinemateca Distrital , Bogota, Colombia (April)

MFAH Presents "Latin Wave: New Films From Latin America"  Houston, Texas (April 30th  and May 3rd  at 5pm)

9th  Annual Kumu Dokumentaal , Tallinn, Estonia (29 January 2014 at 6 pm in Kumu Auditorium)

Juan Manuel Echavarría: Coping with Violence, Defying Oblivion”

Redcat, Roy and Edna Disney/Calarts Theater , Downtown Center for Contemporary Arts, Los Angeles, CA (May 5th, 2014)

Museo De Antioquia, Auditoria Casa del Encuentro , Medellín, Colombia (May 14th  at 5pm)

Museo de Arte Moderno de Medellin  (MAMM), Medellin, Colombia (May 23rd  at 7pm)

Texas State University,  San Marcos, Texas (April 3rd, 2014,)

University of Virginia, St. Anselm Institute,  Charlottesville, Virginia (April 11th, 2014)

2013 Requiem NN

 World premiere: Festival Internacional de Cine de Cartagena 2013 , Cartagena, Colombia

(February)

11th Festival de Cine Colombiano , Medellín (September)

North American premiere: The Museum of Modern Art presents: Requiem NN , New York, NY

(October 8 – 14th )

DOCBuenos Aires: Muestra Internacional de Cine Documental  (October 17-26), Buenos Aires,

Argentina

Documenta 2013 VIII Festival de Cine Documental de Caracas , Venezuela (November 6 – 15)

Houston Cinema Arts Festival , Houston, Texas 5th  Anniversary (November 6 – 10)

Museo Universitario del Chopo , Universidad Autonóma de Mexico, Mexico, D.F.,  Tuesday

November 26.

Plaza de la Iglesia,  Puerto Berrio, Colombia

La Imagen de la Memoria,  Medellin, Colombia

Film Festivals and Screenings

2014 Versos Americanos at Aurora Picture Show  and Sicardi Gallery, Houston, Texas, Bandeja de

Bolivar , January 18th , 2014 at 7:30pm

Les Rencontres Internationales, at Gaîté Lyrique and Palais de Tokyo,  Paris, France

Panorama del Cine Colombiano,  Paris, France, Requiem NN & Bocas de Ceniza

 2013 Festival Internacional de Cine de Cartagena 2013,  Cartagena, Colombia, Requiem NN ,

premiere

2010 German Film and Television Academy , Berlin

2009 Flaherty Film Seminar , Colgate University, Hamilton, NY

2008 Latin American Film Festival, CLCS , Duke University, Durham, NC,

2007 FEM 7, Festival Edicion Madrid de Nuevos Creadoras , Madrid, Spain

Impakt Festival 2007,  Utrecht, Holland

Rencontre International Paris/Berlin/Madrid,  Madrid, Spain

Human Rights Watch International Film Festival , University of California, Berkeley Art Musuem

and Pacific Film Archive, Berkeley, CA,

2006 Americas Society/Council of the Americas,  New York

Rencontre International Paris/Berlin,  Musée Jeau de Paume, French Cinémathèque,

Théâtre Paris-Villette, Cinéma l'Entrepôt, and Cinéma du Monde, Paris

Pulsar,  Caracas, Venezuela

Painting Ruins , Kabul, Afghanistan

Cinema Project , Portland, OR,

Tufts University Art Gallery, New Media Wall,  Medford, MA,

2005 Salvador Allende Festival,  Toronto, Canada

The Aurora Picture Show,  Houston, TX,

The Kansas City Jubilee,  University of Kansas, Lawrence, KS,

San Francisco International Film Festival , San Francisco, CA,

AluCine Toronto Latino Film and Video Festival , Toronto, Canada

Museum of Modern Art,  New York,  , Documentary Fortnight

 2004 Stuttgarder Filmwinter , Stuttgart, Germany

Balagan Film Series , Boston, MA,

Toronto International Film Festival , Toronto, Canada

Flaherty Film Seminar , Vassar College, Poughkeepsie, NY,

Time’s Shadow Pacific Film Archive,  University of California, Berkeley Art Musuem and Pacific

Film Archive, Berkeley, CA,

Cinema Zuid , Amsterdam, Holland

2003 Erich Maria Remarque Peace Center , Osnabrück, Germany, European Media Arts Festival

University of the Pacific , Stockton, CA,

Ninth Annual Rio de Janeiro Film Festival , Rio de Janiero, Brazil

Shadow Festival , Amsterdam, Holland

49 Internationale Kurzfilmtage,  Oberhausen, Germany

2002 Art in General Video Marathon,  New York, New York

2000 Festival de la Luz , Museo de Arte Moderno de Buenos Aires, Buenos Aires, Argentina

 

SELECTED BIBLIOGRAPHY 

2010 Alonso, Idurre.  Changing the Focus: Latin American Photography 1990 – 2005 exhibition

catalogue, cover, 72 – 75, 135.

Ollman, Leah . Changing the Focus: Latin American Photography 1900 – 2005 at the Museum of

Latin American Art, Los Angeles Times,  February 26.

2009 Jimenez, Carlos . Viva la muerte (Long Live Death!), Art Nexus , No. 72 Volume 8, 138 – 140.

2008 Hernandez, Chong Cuy, Sofia . Autopsia de lo invisible,  Museo de Arte Latinamericano de

Buenos Aires.

Roca, Jose . Otras Floras,  Galeria Nara Roesler, October 18.

Walker, Hollis . The Disappeared, ARTnews , March, 146.

2007 Adams, Beverly, et al. Constructing a Poetic Universe: The Diane and Bruce Halle Collection of

Latin American Art,  154, 264.

Brown, Camilla and Oldfield, Pippa . Once more, with feeling: Recent photography from

Colombia, Impressions Gallery, Bradford, UK , The Photographer’s Gallery , London, UK ,

exhibition catalogue, 38 – 43.

Canvin, Yasmin . Presence Through Absence and the Art of Slowing Down, AfterShock: Conflict,

Violence and Resolution in Contemporary Art  exhibition catalogue, Sainsbury Centre for Visual

Arts, University of East Anglia, 10, 30 – 33.

Chambers, Rodolfo Kronfle . LO QUE IMAGENES QUIEREN, video desde hispanoamérica,

Fundación ICO, Madrid, 42.

Cotter, Holland . Unresolved Chords Echo for The Disappeared, The New York Times,  April 17.

Díez Huertas, Celia . Documentos: La memoria del futuro/Documents: The Memory of the

Future exhibition catalogue,  Koldo Mitxelena Kulturoneko Erakustaretoa, San Sebastian, 134.

Echavarría, Juan Manuel . Death and the River, Virginia Quarterly Review , Fall 2007, Vol 83,

Number 4, 290-299.

Echavarría, Juan Manuel; Frei, Luca and Garin, Mariana . From a Dialogue between Juan

Manuel Echavarría, Mariana Garin and Luca Frei, Public Manifestations of Creative Dissent

 exhibition catalogue, Malmö Konsthall, 1 – 27.

Jimenez, Carlos . La Impugnacion de Narciso, El Pais , May 5.

Michel, Régis . Echavarría et la chanson des gueux, L’oeil-écran ou la nouvelle image , 100 videos

pour repenser le monde , Casino Luxembourg – Forum d’art contemporain, Luxembourg, 403-

406.

Miessgang, Thomas . More Indefatigable, Endless Death: Comments on Art, Finiteness and

Transcendence in Latin America, Viva la muerte: Art and Death in Latin America  /

Unermüdlicher endloser Tod: Bemerkungen zu Kunst, Endlichkeit und Transzendenz in

Latinamerika / Viva la muerte: Kunst und Tod in Latinamerika , 15 – 16, 80 – 85.

Olivares, Rosa . Documents of the Imperfect Future, Documentos: La memoria del futuro /

Documents: The Memory of the Future exhibition catalogue,  Koldo Mitxelena Kulturoneko

Erakustaretoa, San Sebastian, 71 – 72.

Santiago, Soledad . Juan Manuel Echavarría: A Writer, a Camera, a Testimonial, The Santa Fe

New Mexican , December 3, B2.

Smith, Craig . Because it is bitter, because it is my art, Pasatiempo, The Santa Fe New Mexican ,

November 29, 48-50.

2006 Arestizábal, Irma . Juan Manuel Echavarria, 100 Latin American Artists,  Publicaciones Exit,

Madrid, 162.

Klaasmeyer, Kelly . A History of Violence, Houston Press,  April 6 – 12, 46.

Lopez, Leticia . Beautiful Seduction, The New Mexican , June 23-29, 62 – 65.

Patterson, Tom . Inspired by Broken Bodies, Winston-Salem Journal , July 9, F3.

Reuter, Laurel . Bocas de Ceniza / Mouths of Ash, Fotofest2006 – The Earth: Artists Responding

to Violence,  Houston, 34 – 38.

Valdez Figueroa , Eugenio . Simposio sobre la Situacion Social, Politica y Artistica en Colombia ,

Daros – Latinamerica AG, Zurich, prologue.

2005 Aristizábal, Irma . La Trama e l’Ordito, La Trama e l’Ordito , Instituto Veneto di Scienze, Lettere

ed Arti, Venice, Italy, 17.

Conway Morris, Roderick . Pushing Boundaries at Venice Biennale, International Herald Tribune

 June 14.

Girst, Thomas . Tearing Down Walls, Mouths of Ash  exhibition catalogue,  Charta, Milan, 154-

160.

Gonzales, Miguel . Juan Manuel Echavarria, Art Nexus . No. 56, Volume 3, 76 – 79.

Gopnik, Blake . From Colombia to Venice, a Haunting Refrain, Washington Post , June 15.

Herzog, Hans-Michael . Juan Manuel Echavarria, The Hours: Visual Arts of Contemporary

LatinAmerica,  Daros – Latinamerica AG, Zurich,  10:00 – 10:05.

Herzog, Hans-Michael . Juan Manuel Echavarría, La Trama e l’Ordito , Instituto Veneto di

Scienze, Lettere ed Arti, Venice, Italy, 46 – 49.

Jimenez, Carlos . 51st  Venice Biennial, Art Nexus , No. 58, November.

Reuter, Laurel . A Conversation: Juan Manuel Echavarria and Laurel Reuter, Mouths of Ash

exhibition catalogue,  Charta, Milan, 23 – 28.

Reuter, Laurel . Requiem for a Country, Mouths of Ash  exhibition catalogue,  Charta, Milan,

10 – 15.

Reuter, Laurel . Los Desaparecidos / The Disappeared , exhibition catalogue, Charta, Milan, 34,

94 – 97.

Salgado, Gabriela . Cantos/Cuentos Colombianos, Art Nexus . No. 57, Volume 3, 64 – 69.

Tiscornia, Ana . Juan Manuel Echavarría, Mouths of Ash  exhibition catalogue,  Charta, Milan,

65 – 70.

Uribe, Maria Victoria . Facing the Vacuity of Violence: the Photographic and Visual Work of

Colombian Artist Juan Manuel Echavarria, Mouths of Ash  exhibition catalogue,  Charta, Milan,

42 – 47.

Wagner, Nicoletta , Kolumbiens Gewalt künstlerisch umgesetzt, Neue Biircher Beitung , Feb 1.

2004 Arthur, Paul . Poughkeepsie powwow, Film Comment , Volume 40. No. 5, Film Society of

Lincoln Center, Sept/Oct, 67 – 68.

Herzog, Hans-Michael . Conversations with Juan Manuel Echavarría, Cantos cuentos

colombianos , Daros – Latinamerica AG, Zurich, 175 – 201.

2003 Taussig , Michael . The Language of Flowers, Critical Inquiry,  Autumn.

2002 Girst, Thomas . Andenken aus der Hölle, Frankfurter Allgemeine Sonntagszeitung, May 19, 55.

2000 Aletti, Vincent . Photo Review, Village Voice , New York, May 18.

Dalrymple, Theodore . Bolívar’s Platter, New Criterion , Volume 18, Number 7.

Girst, Thomas . Art and Violence: Juan Manuel Echavarría brings Colombia’s struggle to NY, NY

Arts , Volume 5, Number 11, 27.

Hoffman, Frank . Report from Kwanju: Monoculture and Its Discontents, Art in America ,

November, 71 – 79.

Reid, Calvin . Juan Manuel Echavarría at UP & CO, Art in America , New York, February, 132 –

133.

Reid, Calvin . Juan Manuel Echavarría, BOMB , New York, January.

Reyes, Ana María . Juan Manuel Echavarría: Rupturas a miradas sensacionalistas, Separata

Cultural de Posdata , No.133, August, 3 – 4.

Sclavo, Fidel . Los dos lados de una puerta, Separata Cultural de Posdata , No.133, August, 7.

Tiscornia, Ana . Bocas de Ceniza, Separata Cultural de Posdata , No.133, August, 5.

1999 Girst, Thomas . Relocating Politics, New York Arts Magazine , Volume 3, Number 6, 48.

Girst, Thomas . Where Have All the Cowboys Gone? Very , Volume 9.

Hertz, Betti Sue . The Aura of Violence in Juan Manuel Echavarría’s Escuela Nueva, Juan Manuel

Echavarría: Escuela Nueva  exhibition catalogue, 5 – 9.

Medina, Alvaro . El Arte y la Violencia Colombiana en la Segunda Mitad del Siglo XX, Arte y

Violencia en Colombia Desde 1948 , Museo de Arte Moderno de Bogotá, Editorial Norma.

Mendelsohn , Meredith . Tales of Horror, Artnet.com , May 21.

Rohter, Larry . In the Trauma of Barbarity, Art Speaks Out, New York Times , New York. October,

17, 41.

Rohter, Larry . In the Trauma of Barbarity, Art Speaks Out, International Herald Tribune ,

October, 23 – 24.

Tiscornia, Ana . Latin American Identity: Utopia, the Silent Witness or Coming to Terms with

Uncomfortable Language, Dialogos Iberoamericanos Symposio International: La Identidad

iberoamericana modernidad y postmodernidad , 151 – 159.

1998 Aletti, Vincent . Photo Review, Village Voice , New York, June 2.

Sne, Martin . Fotografisk kvintet I Rundetarn, Morgenavisen Jyllands-Posten , Copenhagen,

Denmark, March 16.

Tiscornia, Ana . Juan Manuel Echavarría: Otras expediciones, Brecha , February 13, 26.

Tiscornia, Ana . Other Expeditions, Juan Manuel Echavarría: Corte de Florero / Flower Vase Cut

 catalogue,  The River Press, New York, 3 – 11.

Tiscornia, Ana . Juan Manuel Echavarria, Very  (fall), 34 – 37.